You are being watched....
John Reese (Jim Caviezel) is a former CIA assassin living homeless on the streets of New York City, drinking heavily and contemplating suicide after being betrayed by his employer and suffering a devastating personal loss. He meets the mysterious Harold Finch (Michael Emerson), a billionaire software genius living in well-crafted anonymity, who extends Reese an unusual job offer.
I've got a list, a list of people who are about to be involved in very bad situations: murders, kidnappings....Most of them are just ordinary people - like her....I want you to follow her, figure out what's gonna happen, and stop it from happening.
The source of Finch's "list" is The Machine, artificial intelligence software he built for the federal government after 9/11 to data-mine computerized records, e-mails, surveillance video, and telephone conversations ("... watching us with ten thousand eyes, listening with a million ears.") and use that data to predict terrorist attacks and threats to national security.
Finch's creation proved to be very good at its job--too good. The Machine successfully detected future terrorist attacks and threats to national security--and thousands of other future crimes that had nothing to do with terrorism or national security. In order to get it to provide only that information the government wanted, Finch had to instruct The Machine to sort its predictions into "relevant" and "irrelevant" categories, and delete the irrelevant ones--even though not acting on that information allows people to be hurt or killed.
Spurred to action by a loss of his own, Finch programs The Machine to send him the Social Security numbers of people on the irrelevant list. ("...nine digits, that's all we get.") Using his money and Reese's skills, he embarks on a private mission to stop everyday crimes before they happen, to save the world one "irrelevant number" at a time.
Hunted by the authorities, we work in secret. You'll never find us, but, victim or perpetrator, if your number's up, we'll find you.
This is the premise of Person of Interest, a television series which has been on the air for four years, and in December finished filming 13 episodes of its fifth season for broadcast sometime in the spring, what is widely expected to be its final run. "POI," as we fans call it, is simultaneously a case-of-the-week detective show, a fatalistic espionage drama, a noir vigilante comic book--Batman without the bats--a serious work of hard science fiction grounded in cutting-edge computer science, a cautionary tale about surveillance technology, a meditation on good and evil, and above all a tale of broken people seeking redemption--not just the best SF series I've ever seen (sorry, Star Trek!), but the best-written drama I've ever seen, period.
Though it has its fair share of car chases and stunts, POI is not a particularly car-centric show. Nevertheless, I've identified a few subjects of interest (get it?) regarding the automobiles used in the series.